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Includes Hype Sticker on the jewel case.

Track Title Duration
1 Seasons Change
Credits: Siedah Garrett (Arranged By [Vocal Arrangement]), Anastacia (Backing Vocals), Audrey Wheeler (Backing Vocals), Lisa Vaughn (Backing Vocals), Siedah Garrett (Backing Vocals), Lance Morrison (Bass), Matt Laug (Drums), Anthony Kilhoffer (Engineer [Assistant Engineer]), J.D. Andrew (Engineer [Assistant Engineer]), Keith Armstrong (Engineer [Assistant Mix Engineer]), Tim Pierce (Guitar), Glen Ballard (Keyboards), Chris Lord-Alge (Mixed By), Glen Ballard (Producer), Ric Wake (Producer [Lead Vocal Production For Make It Rock Productions, Inc.]), Bill Malina (Recorded By), Thomas R. Yezzi (Recorded By [Vocals]), Mc Foureyez (Vocals [Hypeman Vocal]), Anastacia (Written-By), John Rzeznik (Written-By), Kara DioGuardi (Written-By)
4:17
2 Left Outside Alone
Credits: Anastacia (Backing Vocals), Audrey Wheeler (Backing Vocals), Lisa Vaughn (Backing Vocals), Siedah Garrett (Backing Vocals), Colin Wolfe (Bass), Sean Hurley (Bass), Josh Freese (Drums), Dallas Austin (Drums [MIDI Drums]), Cesar Guevara (Engineer [Assistant Engineer]), Femio Hernandez (Engineer [Second Mix Engineer]), Dallas Austin (Guitar), Tim Pierce (Guitar), Tony Reyes (Guitar), Dallas Austin (Keyboards), Glen Ballard (Keyboards), Tom Lord-Alge (Mixed By), Dallas Austin (Producer), Glen Ballard (Producer), Ric Wake (Producer [Lead Vocal Production For Make It Rock Productions, Inc.]), Bill Malina (Recorded By), Rick Sheppard (Recorded By), Thomas R. Yezzi (Recorded By [Vocals]), Rick Sheppard (Sound Designer [MIDI And Sound Design]), Anastacia (Written-By), Dallas Austin (Written-By), Glen Ballard (Written-By)
4:17
3 Time
Credits: Anastacia (Backing Vocals), Audrey Wheeler (Backing Vocals), Lisa Vaughn (Backing Vocals), Siedah Garrett (Backing Vocals), Lance Morrison (Bass), Tony Reyes (Bass), Josh Freese (Drums), Matt Laug (Drums), Dallas Austin (Drums [MIDI Drums]), Anthony Kilhoffer (Engineer [Assistant Engineer]), Cesar Guevara (Engineer [Assistant Engineer]), J.D. Andrew (Engineer [Assistant Engineer]), Jason Merritt (2) (Engineer [Assistant Engineer]), Jeff Burns (Engineer [Assistant Engineer]), Tom Sweeney (Engineer [Assistant Engineer]), Femio Hernandez (Engineer [Second Mix Engineer]), Dallas Austin (Guitar), Glen Ballard (Guitar), Tony Reyes (Guitar), Dallas Austin (Keyboards), Glen Ballard (Keyboards), Tom Lord-Alge (Mixed By), Dallas Austin (Producer), Glen Ballard (Producer), Ric Wake (Producer [Lead Vocal Production For Make It Rock Productions, Inc.]), Bill Malina (Recorded By), Rick Sheppard (Recorded By), Thomas R. Yezzi (Recorded By), Thomas R. Yezzi (Recorded By [Vocals]), Rick Sheppard (Sound Designer [MIDI And Sound Design]), Anastacia (Written-By), Dallas Austin (Written-By), Glen Ballard (Written-By)
3:33
4 Sick And Tired
Credits: Colin Wolfe (Bass), Dallas Austin (Drums [MIDI Drums]), Anthony Kilhoffer (Engineer [Assistant Engineer]), Cesar Guevara (Engineer [Assistant Engineer]), J.D. Andrew (Engineer [Assistant Engineer]), Jeff Burns (Engineer [Assistant Engineer]), Tom Sweeney (Engineer [Assistant Engineer]), Femio Hernandez (Engineer [Second Mix Engineer]), Tony Reyes (Guitar), Dallas Austin (Keyboards), Glen Ballard (Keyboards), Tom Lord-Alge (Mixed By), Dallas Austin (Producer), Glen Ballard (Producer), Ric Wake (Producer [Lead Vocal Production For Make It Rock Productions, Inc.]), Bill Malina (Recorded By), Rick Sheppard (Recorded By), Thomas R. Yezzi (Recorded By [Vocals]), Rick Sheppard (Sound Designer [MIDI And Sound Design]), Anastacia (Written-By), Dallas Austin (Written-By), Glen Ballard (Written-By)
3:30
5 Heavy On My Heart
Credits: Anastacia (Backing Vocals), Billy Mann (Backing Vocals), Lance Morrison (Bass), Matt Laug (Drums), Anthony Kilhoffer (Engineer [Assistant Engineer]), J.D. Andrew (Engineer [Assistant Engineer]), Jeff Burns (Engineer [Assistant Engineer]), Tom Sweeney (Engineer [Assistant Engineer]), Keith Armstrong (Engineer [Assistant Mix Engineer]), Michael Landau (Guitar), Tim Pierce (Guitar), Glen Ballard (Keyboards), Randy Kerber (Keyboards), Chris Lord-Alge (Mixed By), Glen Ballard (Producer), Billy Mann (Producer [Vocal Production]), Bill Malina (Recorded By), Mike Fennel (Recorded By [Vocals]), Anastacia (Written-By), Billy Mann (Written-By)
4:26
6 I Do
Credits: Anastacia (Backing Vocals), Kara DioGuardi (Backing Vocals), P.J. Lequerica (Backing Vocals), Marc Russell (Bass), Eric Kupper (Drums), Richie Jones (Drums), Jim Annunziato (Engineer [Assistant Mix Engineer]), Eric Kupper (Keyboards, Guitar), Dan Hetzel (Mixed By), Richie Jones (Mixed By), Ric Wake (Producer), Richie Jones (Producer [Additional Production For W&R Group]), Ric Wake (Producer [Lead Vocal Production For Make It Rock Productions, Inc.]), "Young" Dave Scheuer (Recorded By), Thomas R. Yezzi (Recorded By [Vocals]), Sonny Sandoval (Vocals [Guest Vocals]), Anastacia (Written-By), Danny Weissfeld (Written-By), Kara DioGuardi (Written-By), Lukas Burton (Written-By)
3:04
7 Welcome To My Truth
Credits: Anastacia (Backing Vocals), Kara DioGuardi (Backing Vocals), Paul Bushnell (Bass), Shari Sutcliffe (Contractor [Musician Contractor]), Kenny Aronoff (Drums), Femio Hernandez (Engineer [Second Mix Engineer]), John Shanks (Guitar), John Shanks (Keyboards), Tom Lord-Alge (Mixed By), John Shanks (Producer), Jeff Rothschild (Recorded By), Mark Valentine (Recorded By [Additional Recording]), Thomas R. Yezzi (Recorded By [Vocals]), Anastacia (Written-By), John Shanks (Written-By), Kara DioGuardi (Written-By)
4:03
8 Pretty Little Dum Dum
Credits: Anastacia (Backing Vocals), Kara DioGuardi (Backing Vocals), Lance Morrison (Bass), Matt Laug (Drums), Anthony Kilhoffer (Engineer [Assistant Engineer]), J.D. Andrew (Engineer [Assistant Engineer]), Jeff Burns (Engineer [Assistant Engineer]), Tom Sweeney (Engineer [Assistant Engineer]), Keith Armstrong (Engineer [Assistant Mix Engineer]), Michael Landau (Guitar), Glen Ballard (Keyboards), Chris Lord-Alge (Mixed By), Glen Ballard (Producer), Ric Wake (Producer [Lead Vocal Production For Make It Rock Productions, Inc.]), Bill Malina (Recorded By), Thomas R. Yezzi (Recorded By [Vocals]), Anastacia (Written-By), Glen Ballard (Written-By), Kara DioGuardi (Written-By)
4:37
9 Sexy Single
Credits: Anastacia (Backing Vocals), Gary Mudbone Cooper (Backing Vocals), Jeff Anderson (12) (Bass), Ned Douglas (Drum Programming, Programmed By [Synthesizer Programming]), Pablo Arraya (Engineer [Assistant Engineer]), Ned Douglas (Engineer [At Unstable Studios]), Thomas R. Yezzi (Engineer [Vocal Engineer At Sony Studios]), David A. Stewart (Guitar), Chris Lord-Alge (Mixed By), Keith Armstrong (Mixed By [Mix Assistant]), David A. Stewart (Producer), Ric Wake (Producer [Lead Vocal Production For Make It Rock Productions, Inc.]), Ned Douglas (Recorded By), Thomas R. Yezzi (Recorded By [Vocals]), Anastacia (Written-By), David A. Stewart (Written-By)
3:52
10 Rearview
Credits: Anastacia (Backing Vocals), Kara DioGuardi (Backing Vocals), Paul Bushnell (Bass), Shari Sutcliffe (Contractor [Musician Contractor]), Kenny Aronoff (Drums), John Shanks (Guitar), Jamie Muhoberac (Keyboards), Chris Lord-Alge (Mixed By), John Shanks (Producer), Thomas R. Yezzi (Recorded By [Vocal Recording]), Anastacia (Written-By), John Shanks (Written-By), Kara DioGuardi (Written-By)
4:12
11 Where Do I Belong
Credits: Paul Bushnell (Bass), Brian MacLeod (Drums), David Channing (Edited By [Digital Editing]), Michael Perfitt (Edited By [Digital Editing]), Dan Leffler (Engineer [Assistant Engineer]), Femio Hernandez (Engineer [Second Mix Engineer]), David Levita (Guitar), Patrick Leonard (Keyboards, Programmed By), Chris Lord-Alge (Mixed By), Patrick Leonard (Producer), Ric Wake (Producer [Lead Vocal Production For Make It Rock Productions, Inc.]), Brian Scheuble (Recorded By), Michael Perfitt (Recorded By), Thomas R. Yezzi (Recorded By [Vocals]), Anastacia (Written-By), Kara DioGuardi (Written-By), Patrick Leonard (Written-By)
3:26
12 Maybe Today
Credits: Teese Gohl (Arranged By [String Arrangement]), Anastacia (Backing Vocals), Jeff Anderson (12) (Bass), Ed Sherman (2) (Conductor), Pablo Arraya (Engineer [Assistant Engineer]), Keith Armstrong (Engineer [Assistant Mix Engineer]), David A. Stewart (Guitar), Andrew Dawson (Keyboards), Chris Lord-Alge (Mixed By), David A. Stewart (Producer), Ned Douglas (Programmed By), Ned Douglas (Recorded By), Thomas R. Yezzi (Recorded By [Vocals]), Anastacia (Written-By), David A. Stewart (Written-By)
5:15
Artist Anastacia
Album Anastacia
Label Epic, Daylight
Released 2004
Country Australia
Format CD
Genre Rock, Pop
Style Pop Rock
Notes [url=https://www.discogs.com/artist/399952-Sonny-Sandoval]Sonny (Of P.O.D.)[/url] appears courtesy of [url=https://www.discogs.com/label/681-Atlantic]Atlantic Records[/url].

Production Notes -

Track 1 recorded at [url=https://www.discogs.com/label/304319-Record-Plant-Los-Angeles]Record Plant[/url], [url=https://www.discogs.com/label/293915-OHenry-Sound-Studios]O'Henry Studios[/url], [url=https://www.discogs.com/label/282279-Record-One-Los-Angeles]Record One[/url] and [l269473], CA. Mixed at [url=https://www.discogs.com/label/269120-Image-Recording-Studios]Image Studios[/url], CA.
Track 2 recorded at [url=https://www.discogs.com/label/293915-OHenry-Sound-Studios]O'Henry Studios[/url], [url=https://www.discogs.com/label/282279-Record-One-Los-Angeles]Record One[/url] and [url=https://www.discogs.com/label/304319-Record-Plant-Los-Angeles]Record Plant[/url], CA. Mixed at [l273741], Miami Beach, FL.
Tracks 3 and 4 recorded at [url=https://www.discogs.com/label/293915-OHenry-Sound-Studios]O'Henry Studios[/url], [l269473], [url=https://www.discogs.com/label/304319-Record-Plant-Los-Angeles]Record Plant[/url] and [url=https://www.discogs.com/label/282279-Record-One-Los-Angeles]Record One[/url], CA. Mixed at [l273741], Miami Beach, FL.
Track 5 recorded at [url=https://www.discogs.com/label/304319-Record-Plant-Los-Angeles]Record Plant[/url] and [url=https://www.discogs.com/label/282279-Record-One-Los-Angeles]Record One[/url] and [l269473]. Mixed at [url=https://www.discogs.com/label/269120-Image-Recording-Studios]Image Studios[/url]. Vocals recorded at [url=https://www.discogs.com/label/276251-Henson-Recording-Studios]Henson Studios[/url].
Track 6 recorded at [l279175], NY and [l277730], Miami, FL. Mixed at [l279175], NY.
Track 7 recorded at [l276251], Los Angeles, CA. Mixed at [l273741], Miami Beach, FL.
Track 8 recorded at [url=https://www.discogs.com/label/293915-OHenry-Sound-Studios]O'Henry Studios[/url], [url=https://www.discogs.com/label/304319-Record-Plant-Los-Angeles]Record Plant[/url] and [url=https://www.discogs.com/label/282279-Record-One-Los-Angeles]Record One[/url], CA. Mixed at [url=https://www.discogs.com/label/269120-Image-Recording-Studios]Image Studios[/url].
Track 9 recorded at [url=https://www.discogs.com/label/295805-Sony-Music-Studios-New-York-City]Sony Studios[/url], NYC and [l350757], LA. Engineered at [l328452]. Vocals engineered at [url=https://www.discogs.com/label/295805-Sony-Music-Studios-New-York-City]Sony Studios[/url], NY. Mixed at [url=https://www.discogs.com/label/269120-Image-Recording-Studios]Image Studios[/url].
Track 10 recorded at [l276251], CA. Mixed at [url=https://www.discogs.com/label/269120-Image-Recording-Studios]Image Recording[/url], CA.
Track 11 recorded at [l266394], CA. Mixed at [l273741], Miami Beach, FL.
Track 12 recorded at [url=https://www.discogs.com/label/295805-Sony-Music-Studios-New-York-City]Sony Studios[/url], NYC and [l350757], LA. Mixed at [url=https://www.discogs.com/label/269120-Image-Recording-Studios]Image Studios[/url], CA.

Mastered at [l264060], NY.

Publishing Notes -

Track 1 published by [l342250] / [l264329] / [l1186765].
Tracks 2, 3, 4, 8 and 11 published by [l342250] / [l264329].
Track 5 published by [l342250] / [l332435].
Track 6 published by [l342250] / [l264329] / [url=https://www.discogs.com/label/424506-Universal-Music-Publishing-Pty-Ltd]Universal Music Publishing Pty Limited[/url] / [url=https://www.discogs.com/label/48207-Copyright-Control]Control[/url].
Tracks 7 and 10 published by [l342250] / [l264329] / [l93313].
Track 9 and 12 published by [l342250] / [l380088].

© 2004 [l19795] / ℗ 2004 [l19795] / Manufactured in Australia by [l181091].

How are Vinyl Records Graded?

MINT:

Perfect in every way. In 'like new' condition, possibly still sealed.

NEAR MINT:

A nearly perfect record. The sound quality during playback may be like new, or as close to new as possible. The record should show no obvious signs of wear.

EXCELLENT PLUS / EXCELLENT:

The vinyl record may show a couple of very minor marks. The sound quality during playback is close to new, with any surface noise minimal. The majority of the record will play like new. The labels may have some minor marks.

VERY GOOD PLUS:

A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound may be present.

The labels may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present.

VERY GOOD:

Many of the defects found in a VG+ record will be more pronounced in a VG disc.

Some surface noise may be evident upon playing, especially in soft passages and during a song's intro and fade but will not overpower the music otherwise. Groove wear and light scratches may be noticeable, that may affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached.

GOOD PLUS / GOOD:

A record in Good Plus or Good condition can be played through without skipping but it may have significant scratches, marks and visible groove wear. While the record will be playable without skipping, noticeable surface noise and "ticks" may accompany the playback in places or throughout. The labels may have tape, writing, spindle marks or other defects.

How are Record Sleeves Graded?

MINT:

Perfect in every way. In 'like new' condition, often still sealed.

NEAR MINT:

The cover or container can have very minor defects., but it should have no folds, seam splits, scratches, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.

EXCELLENT PLUS / EXCELLENT:

Paper or cardboard sleeves and inserts may have some wear, slightly turned-up corners, a small seam-split or other minor noticeable defects but are still of excellent quality.

VERY GOOD PLUS:

Paper or cardboard sleeves and inserts will have some wear, slightly turned-up corners, a small seam-split or other noticeable defects. The defects are more pronounced than that of Excellent or Excellent Plus.

VERY GOOD:

Covers or sleeves may be marred by writing or have tape, stickers, residue attached, slightly turned-up corners or a seam-split. However, a VG item will not have all of these problems at the same time.

GOOD PLUS / GOOD:

A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, staining or other defects will also be present.

FAIR / POOR:

The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. the album cover and inner sleeves may be fully split, crinkled, and written upon.

Details
Condition Used
Year 2004
Music
Media Condition Excellent
Sleeve Condition Mint

ANASTACIA Self Titled (33)

  • Product Code: D083711
  • Availability: 1
  • $4.95