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Mint. Sealed
Track Title Duration
Side A
A1 Rehab
Credits: Andy Mackintosh (Alto Saxophone), Snake Davis (Alto Saxophone), Gabriel Roth (Arranged By [Band]), Mark Ronson (Arranged By [Band]), Chris Elliott (Arranged By [Orchestra], Conductor), Dave Bishop (Baritone Saxophone), Ian Hendrickson-Smith (Baritone Saxophone), Nick Movshon (Bass Guitar), Anthony Pleeth (Cello), Joely Koos (Cello), John Heley (Cello), Isobel Griffiths (Contractor [Orchestra]), Homer Steinweiss (Drums), Jesse Gladstone (Engineer [Assistant]), Mike Makowski (Engineer [Assistant]), Binky Griptite (Guitar), Thomas Brenneck (Guitar), Mark Ronson (Handclaps), Vaughan Merrick (Handclaps), Victor Axelrod (Handclaps), Helen Tunstall (Harp), Perry Montague-Mason (Leader [Orchestra]), Tom Elmhirst (Mixed By), Matt Paul (Mixed By [Assistant]), Frank Ricotti (Percussion), Victor Axelrod (Piano, Electric Piano [Wurlitzer]), Mark Ronson (Producer), Mark Ronson (Recorded By), Vaughan Merrick (Recorded By), Jamie Talbot (Tenor Saxophone), Mike Smith (3) (Tenor Saxophone), Neal Sugarman (Tenor Saxophone), Richard Edwards (2) (Tenor Trombone), Dave Guy (Trumpet), Steve Sidwell (Trumpet), Bruce White (Viola), Jon Thorne (3) (Viola), Katie Wilkinson (Viola), Rachel Bolt (Viola), Boguslaw Kostecki (Violin), Chris Tombling (Violin), Elizabeth Edwards (Violin), Everton Nelson (Violin), Jonathan Rees (Violin), Mark Berrow (Violin), Perry Montague-Mason (Violin), Peter Hanson (Violin), Tom Pigott-Smith (Violin), Warren Zielinski (Violin)
3:30
A2 You Know I'm No Good
Credits: Neal Sugarman (Baritone Saxophone), Nick Movshon (Bass Guitar), Homer Steinweiss (Drums), Binky Griptite (Guitar), Thomas Brenneck (Guitar), Tom Elmhirst (Mixed By), Matt Paul (Mixed By [Assistant]), Victor Axelrod (Piano, Electric Piano [Wurlitzer], Handclaps), Mark Ronson (Producer), Mark Ronson (Recorded By), Vaughan Merrick (Recorded By), Jesse Gladstone (Recorded By [Assistant]), Mike Makowski (Recorded By [Assistant]), Ian Hendrickson-Smith (Tenor Saxophone), Dave Guy (Trumpet)
4:15
A3 Me & Mr Jones
Credits: Amy Winehouse (Backing Vocals), Vincent Henry (Baritone Saxophone, Tenor Saxophone), Bruce Purse (Bass Trumpet, Flugelhorn), Salaam Remi (Double Bass [Upright Bass], Drums, Piano), Amy Winehouse (Guitar), Vincent Henry (Guitar), Gary Noble (Mixed By), James Wisner (Mixed By [Assistant]), Salaam Remi (Producer), Franklin Socorro (Recorded By), Gleyder "Gee" Disla (Recorded By [Assistant]), Shomari "Sho" Dillon (Recorded By [Assistant])
2:30
A4 Just Friends
Credits: Salaam Remi (Bass), Vincent Henry (Clarinet, Bass Clarinet), Troy Auxilly-Wilson (Drums), Amy Winehouse (Guitar), Vincent Henry (Guitar), Gary Noble (Mixed By), James Wisner (Mixed By [Assistant]), John F. Adams (Organ, Electric Piano [Rhodes]), Salaam Remi (Producer), Franklin Socorro (Recorded By), Gleyder "Gee" Disla (Recorded By [Assistant]), Shomari "Sho" Dillon (Recorded By [Assistant]), Bruce Purse (Trumpet, Bass Trumpet, Flugelhorn)
3:10
A5 Back To Black
Credits: Andy Mackintosh (Alto Saxophone), Snake Davis (Alto Saxophone), Gabriel Roth (Arranged By [Band]), Mark Ronson (Arranged By [Band]), Chris Elliott (Arranged By [Orchestra], Conductor), Dave Bishop (Baritone Saxophone), Nick Movshon (Bass Guitar), Anthony Pleeth (Cello), Joely Koos (Cello), John Heley (Cello), Isobel Griffiths (Contractor [Orchestra]), Homer Steinweiss (Drums), Jesse Gladstone (Engineer [Assistant]), Mike Makowski (Engineer [Assistant]), Binky Griptite (Guitar), Thomas Brenneck (Guitar), Perry Montague-Mason (Leader [Orchestra]), Tom Elmhirst (Mixed By), Matt Paul (Mixed By [Assistant]), Frank Ricotti (Percussion), Victor Axelrod (Piano), Mark Ronson (Producer), Mark Ronson (Recorded By), Vaughan Merrick (Recorded By), Mark Ronson (Tambourine), Jamie Talbot (Tenor Saxophone), Bruce White (Viola), Jon Thorne (3) (Viola), Katie Wilkinson (Viola), Rachel Bolt (Viola), Boguslaw Kostecki (Violin), Chris Tombling (Violin), Elizabeth Edwards (Violin), Everton Nelson (Violin), Jonathan Rees (Violin), Mark Berrow (Violin), Perry Montague-Mason (Violin), Peter Hanson (Violin), Tom Pigott-Smith (Violin), Warren Zielinski (Violin), Mark Ronson (Written-By)
4:00
A6 Love Is A Losing Game
Credits: Andy Mackintosh (Alto Saxophone), Snake Davis (Alto Saxophone), Gabriel Roth (Arranged By [Band]), Mark Ronson (Arranged By [Band]), Chris Elliott (Arranged By [Orchestra], Conductor), Dave Bishop (Baritone Saxophone), Nick Movshon (Bass Guitar), Anthony Pleeth (Cello), Joely Koos (Cello), John Heley (Cello), Isobel Griffiths (Contractor [Orchestra]), Homer Steinweiss (Drums), Jesse Gladstone (Engineer [Assistant]), Mike Makowski (Engineer [Assistant]), Binky Griptite (Guitar), Thomas Brenneck (Guitar), Helen Tunstall (Harp), Perry Montague-Mason (Leader [Orchestra]), Tom Elmhirst (Mixed By), Matt Paul (Mixed By [Assistant]), Frank Ricotti (Percussion), Victor Axelrod (Piano), Mark Ronson (Producer), Mark Ronson (Recorded By), Vaughan Merrick (Recorded By), Jamie Talbot (Tenor Saxophone), Mike Smith (3) (Tenor Saxophone), Richard Edwards (2) (Tenor Trombone), Steve Sidwell (Trumpet), Bruce White (Viola), Jon Thorne (3) (Viola), Katie Wilkinson (Viola), Rachel Bolt (Viola), Boguslaw Kostecki (Violin), Chris Tombling (Violin), Elizabeth Edwards (Violin), Everton Nelson (Violin), Jonathan Rees (Violin), Mark Berrow (Violin), Perry Montague-Mason (Violin), Peter Hanson (Violin), Tom Pigott-Smith (Violin), Warren Zielinski (Violin)
2:32
Side B
B1 Tears Dry On Their Own
Credits: Vincent Henry (Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Flute, Clarinet, Piano, Celesta [Celeste], Guitar), Amy Winehouse (Backing Vocals), Salaam Remi (Bass, Piano), Troy Auxilly-Wilson (Drums, Tambourine), Salaam Remi (Guitar), Vincent Henry (Guitar), Tom Elmhirst (Mixed By), Matt Paul (Mixed By [Assistant]), Salaam Remi (Producer), Franklin Socorro (Recorded By), Gleyder "Gee" Disla (Recorded By [Assistant]), Shomari "Sho" Dillon (Recorded By [Assistant]), Bruce Purse (Trumpet, Bass Trumpet, Flugelhorn), Ashford & Simpson (Written-By ["Ain't No Mountain High Enough" Sample])
3:03
B2 Wake Up Alone
Credits: Gabriel Roth (Arranged By [Band]), Mark Ronson (Arranged By [Band]), Nick Movshon (Bass Guitar), Homer Steinweiss (Drums), Jesse Gladstone (Engineer [Assistant]), Mike Makowski (Engineer [Assistant]), Binky Griptite (Guitar), Thomas Brenneck (Guitar), Tom Elmhirst (Mixed By), Matt Paul (Mixed By [Assistant]), Victor Axelrod (Piano), Mark Ronson (Producer), Mark Ronson (Recorded By), Vaughan Merrick (Recorded By), Paul Staveley O'Duffy (Written-By)
3:40
B3 Some Unholy War
Credits: Amy Winehouse (Backing Vocals), Salaam Remi (Bass, Drums), Amy Winehouse (Guitar), Salaam Remi (Guitar), Vincent Henry (Guitar), Gary Noble (Mixed By), James Wisner (Mixed By [Assistant]), John F. Adams (Organ), Salaam Remi (Producer), Franklin Socorro (Recorded By), Gleyder "Gee" Disla (Recorded By [Assistant]), Shomari "Sho" Dillon (Recorded By [Assistant])
2:20
B4 He Can Only Hold Her
Credits: Cochemea Gastelum (Baritone Saxophone), Nick Movshon (Bass Guitar), Homer Steinweiss (Drums), Mark Ronson (Finger Snaps), Binky Griptite (Guitar), Thomas Brenneck (Guitar), Tom Elmhirst (Mixed By), Matt Paul (Mixed By [Assistant]), Sam Koppelman (Percussion), Victor Axelrod (Piano), Mark Ronson (Producer), P*Nut (Producer [Original Demo]), Derek Pacuk (Recorded By), Dom Morley (Recorded By), Gabriel Roth (Recorded By), Matt Paul (Recorded By), Vaughan Merrick (Recorded By), Neal Sugarman (Tenor Saxophone), Dave Guy (Trumpet), Richard Poindexter (Written-By ["She's A Fox Now Sample"]), Robert Poindexter (Written-By ["She's A Fox Now Sample"])
2:45
B5 You Know I'm No Good
Credits: Gabriel Roth (Arranged By [Band]), Mark Ronson (Arranged By [Band]), Ian Hendrickson-Smith (Baritone Saxophone), Nick Movshon (Bass Guitar), Derek Pacuk (Computer [Protools By]), Homer Steinweiss (Drums), Victor Axelrod (Electric Piano [Wurlitzer], Piano, Handclaps), Jesse Gladstone (Engineer [Assistant]), Mike Makowski (Engineer [Assistant]), Ghostface Killah (Featuring), Binky Griptite (Guitar), Thomas Brenneck (Guitar), Tom Elmhirst (Mixed By), Matt Paul (Mixed By [Assistant]), Mark Ronson (Recorded By), Vaughan Merrick (Recorded By), Neal Sugarman (Tenor Saxophone), Dave Guy (Trumpet)
3:20
Artist Amy Winehouse
Album Back To Black
Label Universal Republic
Released 2006
Country UK
Format Vinyl
Genre Jazz, Funk / Soul, Pop
Style Soul, Contemporary R&B, Contemporary Jazz
Notes ℗ & © 2006 Island Records (UK) licensed exclusively to Island Records (UK), a Division of UMG Recordings, Inc.


All tracks published by EMI Music Publishing, except A5 published by EMI Blackwood Music Inc., EMI Music Publ. Ltd., Inouye Music (BMI), track B1 published by EMI Music Publishing, Jobete Music Inc, Jobete Music (UK) Ltd. and track B4 published by EMI Music Publishing, IQ Music Ltd.

Track A1, A2, A5, A6, B2, B4, B5 mixed for osOHso.
Track A3, A4, B3 recorded at Instrument Zoo, Miami, Fl. Mixed at Circle House Studios for osOHso.
Track B1 recorded at Instrument Zoo, Miami, Fl. Mixed for osOHso.

Track A1, A2, A5, A6, B2 and B6 recorded at Dapking Studios, Chung King Studios and Metropolis Studios, London.

Track B1 contains a sample interpolation of "Ain't No Mountain High Enough" published by Jobete Music Inc and Jobete Music (UK) Ltd.

Track B4 recorded at Daptone Studios, Allido Studios and at Metropolis Studios. Contains a sample interpolation of "She's A Fox Now" published by IQ Music Ltd.

Ghostface Killah appears courtesy of Def Jam Records.

How are Vinyl Records Graded?

MINT:

Perfect in every way. In 'like new' condition, possibly still sealed.

NEAR MINT:

A nearly perfect record. The sound quality during playback may be like new, or as close to new as possible. The record should show no obvious signs of wear.

EXCELLENT PLUS / EXCELLENT:

The vinyl record may show a couple of very minor marks. The sound quality during playback is close to new, with any surface noise minimal. The majority of the record will play like new. The labels may have some minor marks.

VERY GOOD PLUS:

A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound may be present.

The labels may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present.

VERY GOOD:

Many of the defects found in a VG+ record will be more pronounced in a VG disc.

Some surface noise may be evident upon playing, especially in soft passages and during a song's intro and fade but will not overpower the music otherwise. Groove wear and light scratches may be noticeable, that may affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached.

GOOD PLUS / GOOD:

A record in Good Plus or Good condition can be played through without skipping but it may have significant scratches, marks and visible groove wear. While the record will be playable without skipping, noticeable surface noise and "ticks" may accompany the playback in places or throughout. The labels may have tape, writing, spindle marks or other defects.

How are Record Sleeves Graded?

MINT:

Perfect in every way. In 'like new' condition, often still sealed.

NEAR MINT:

The cover or container can have very minor defects., but it should have no folds, seam splits, scratches, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.

EXCELLENT PLUS / EXCELLENT:

Paper or cardboard sleeves and inserts may have some wear, slightly turned-up corners, a small seam-split or other minor noticeable defects but are still of excellent quality.

VERY GOOD PLUS:

Paper or cardboard sleeves and inserts will have some wear, slightly turned-up corners, a small seam-split or other noticeable defects. The defects are more pronounced than that of Excellent or Excellent Plus.

VERY GOOD:

Covers or sleeves may be marred by writing or have tape, stickers, residue attached, slightly turned-up corners or a seam-split. However, a VG item will not have all of these problems at the same time.

GOOD PLUS / GOOD:

A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, staining or other defects will also be present.

FAIR / POOR:

The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. the album cover and inner sleeves may be fully split, crinkled, and written upon.

Details
Condition New Sealed
Year 2006
Music
Media Condition Mint
Sleeve Condition Mint

AMY WINEHOUSE Back To Black LP 00506

  • Product Code: R213132
  • Availability: 1
  • $66.95